Visit our website and discover our latest creations. Other instruments of the idiophones family are regularly added to the Pianoteq collection. Pianoteq is in fact the first virtual piano factory: it can produce new brands as well as copies of existing instruments, from historical instruments such as harpsichords and pianofortes to contemporary grand pianos or the more recent electro-acoustic pianos. Pianoteq is both away to emulate existing pianos and an innovative tool for music creation. Based on an effective physical model, Pianoteq allows you to adjust and stretch parameters, resulting in new sounds and performance styles. The second generation brought innovative sounds (such as the Fender Rhodes, Wurlitzer, Yamaha CP 80, and others), whereas the third generation only reproduced recorded samples. True dynamic timbre results, from the faintest pianissimo to the strongest fortissimo, for all 127 standard MIDI velocities (and even more with high resolution MIDI).Įverything that characterizes a real piano is there: the mechanical noises, the complex sound of pedals and strings in interaction, the percussive impact on staccato play (short notes), and of course, most importantly, the beauty of the piano sound.
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Using 32-bit internal computation, the calculated piano sound is free from quantization noise. Unique parameters that model the behaviour of real pianos result in great realism, until now only to be experienced on real acoustic pianos. With Pianoteq, you can adapt the piano sound to your own taste. It offers extraordinary playability and unique physical parameters that model the behaviour of real acoustic pianos. Pianoteq introduces the fourth generation of pianos, based on physical modelling. It was followed in the XX century by electro-acoustic pianos, and then by digital sampled pianos. The first generation of pianos, starting in 1698 with Cristofori’s pianoforte, came to maturity at the end of the XIX century with the acoustic grand concert piano. Tutorial 5: difference between spectrum profile and equalizer Tutorial 4: adapting Pianoteq to your keyboard Assigning a parameter to a MIDI controller Difference between "instrument" and "preset" Petrof 275 and Petrof 284 Mistral grand pianos Step by step in your MIDI file and editing You are also welcome to provide feedback and suggestions - Table of Contents
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Pianoteq is the starting point of a new generation of physically modelled virtual instruments, developed from mathematical research made at the Institute of Mathematics of Toulouse at INSA Toulouse, France.ĭo not hesitate contacting us if you need any assistance on how to install and use the software. The Pianoteq Steinway D piano is very articulate - like a Fazioli, but more harmonically complex.īut as always, it is wonderful as a player - that piano is just always responsive in a very musical way.Congratulations on your purchase of Pianoteq. There's no unusual resonances or peaks in the sound - and in that way "perfect", or idealized. There's no noise from hammers hitting the rest rail (which shouldn't happen on a freshly regulated piano, but currently happens on mine). It seems to be a "close mic'd", relatively immediate sound on the default "Prelude" voice. Pianoteq is almost like a perfect idealized piano sound, right after a concert quality tuner gets done with a world-class piano. Individual notes sound a little "wider" on my real grand, richer. It makes a fuller more harmonically complex sound. There's subtle variations in tuning (even though it is freshly tuned), and more more soundboard "bleed". A little bit of reverb pushes it back just a bit and makes it sit a bit better. Played louder than an acoustic, in my studio, it sounds like a too close mic'd piano played too loud. Played at the same volume as my acoustic grand it is delightful. I ran it through the studio monitors and the Fulcrum PA. The Steinway D is wonderful in the upgrade.